Images depicting both vernacular and applied examples of typography found within the built environment act as a primary outline to question the purpose of information and its visualisation within economic and socially democratic and capitalist systems, challenging the role of societal meritocracy and class structure, prompting thought toward non-canonical forms of writing.

In such short lines are the movement of time, populous and even the weather, in which exist similar, if not exacting traits of occurrence. The same might be said of every segregated anachronistic letter, of every typographic arrangement primarily, but also of the thought and writing of every configuration of every piece of communication, be it typed or written, by every person in the world throughout history.

This series was featured in Idea magazine, Tokyo, Japan, the international journal for graphic arts and typography, in the format of four visual and inter-textual articles, within a two year cycle of the journals calendar, spanning c. 10,000 words, in conjunction to 90+ full-colour offset printed original photographs.

The images were likewise presented in exhibition format, at the Brno Biennale (which was held at the Moravian Gallery in Brno), in the format of a stop-motion movie.

Idea magazine, No. 376–379. Tokyo, JP

Brno Biennale, Moravian Gallery, Brno, CZ